The movie, directed by Hannes Holm, manages to fuse melodrama with dark comedy and — no small feat — make it work.

The action unfolds both in the present and in the past. The knowledge that audiences are given in the flashbacks allows them to reassess the protagonist, thus supporting the film’s underlying theme about the unreliability of first impressions; as one would expect, there is heroism and genuine goodness lying beneath his prickly exterior. Nevertheless, upon first encounter, Ove (played by Rolf Lassgard in the present, Filip Berg as a young man and Viktor Baagoe as a boy) comes off as one of those annoying, nosy souls found everywhere in the world, the ones who assiduously obey all written instructions and tell you to do so, too. 

In a signature role as 21st-century detective Rick Deckard, Harrison Ford brings his masculine-yet-vulnerable presence to this stylish noir thriller. In a future of high-tech possibility soured by urban and social decay, Deckard hunts for fugitive, murderous replicants—and is drawn to a mystery woman whose secrets may undermine his soul. This incredible version features the definitive Final Cut of Ridley Scott's legendary sci-fi classic.

In the futuristic year of 2019, Los Angeles has become a dark and depressing metropolis, filled with urban decay. Rick Deckard, an ex-cop, is a "Blade Runner". Blade runners are people assigned to assassinate "replicants". The replicants are androids that look like real human beings. When four replicants commit a bloody mutiny on the Off World colony, Deckard is called out of retirement to track down the androids. As he tracks the replicants, eliminating them one by one, he soon comes across another replicant, Rachel, who evokes human emotion, despite the fact that she's a replicant herself. As Deckard closes in on the leader of the replicant group, his true hatred toward artificial intelligence makes him question his own identity in this future world, including what's human and what's not human.

https://www.theguardian.com/film/2015/mar/14/why-blade-runner-is-timeless

Students and Faculty: Join us for dinner at 6, the movie at 7, and discussion afterwards.

A hard-driving journalist, Lee Strobel was exactly where he expected to be at work: on top. His award-winning investigative reporting recently earned him a promotion to legal editor at the Chicago Tribune. But things weren’t going nearly as well at home where his wife Leslie’s newfound faith in Christ went against everything Lee believed—or didn’t believe—as an avowed atheist.

Utilizing his journalistic and legal training, Lee begins a quest to debunk the claims of Christianity in order to save his crumbling marriage. Chasing down the biggest story of his career, Lee comes face-to-face with unexpected results that could change everything he knows to be true.

Based on Lee Strobel’s award-winning bestselling book and starring Mike Vogel, Erika Christensen, Faye Dunaway, and Robert Forster, THE CASE FOR CHRIST is now showing in theaters. It’s an ideal Easter-season movie for anyone who has ever pondered the existence of God … and what role He could play in their lives.

(Storyline from The Case for Christ Movie)

Students and Faculty: Join us for dinner at 6, the movie at 7, and discussion afterwards.

During the London Blitz of World War II, Catrin Cole is recruited by the British Ministry of Information to write scripts for propaganda films that the public will actually watch without scoffing. In the line of her new duties, Cole investigates the story of two young women who supposedly piloted a boat in the Dunkirk Evacuation. Although it proved a complete misapprehension, the story becomes the basis for a fictional film with some possible appeal. As Cole labors to write the script with her new colleagues such as Tom Buckley, veteran actor Ambrose Hilliard must accept that his days as a leading man are over as he joins the project. Together, this disparate trio must struggle against such complications such as sexism against Cole, jealous relatives, and political interference in their artistic decisions even as London endures the bombs of the enemy. In the face of those challenges, they share a hope to contribute something meaningful in this time of war and in their own lives.

(Storyline from IMDB)

Students and Faculty: Join us for dinner at 6, the movie at 7, and discussion afterwards.

When a successful New York advertising executive suffers a great tragedy, he retreats from life. While his concerned friends try desperately to reconnect with him, he seeks answers from the universe by writing letters to Love, Time and Death. But it's not until his notes bring unexpected personal responses that he begins to understand how these constants interlock in a life fully lived, and how even the deepest loss can reveal moments of meaning and beauty

Students and Faculty: Join us for dinner at 6, the movie at 7, and discussion afterwards.

As the United States raced against Russia to put a man in space, NASA found untapped talent in a group of African-American female mathematicians that served as the brains behind one of the greatest operations in U.S. history. Based on the unbelievably true life stories of three of these women, known as "human computers", we follow these women as they quickly rose the ranks of NASA alongside many of history's greatest minds specifically tasked with calculating the momentous launch of astronaut John Glenn into orbit, and guaranteeing his safe return. Dorothy Vaughan, Mary Jackson, and Katherine Johnson crossed all gender, race, and professional lines while their brilliance and desire to dream big, beyond anything ever accomplished before by the human race, firmly cemented them in U.S. history as true American heroes.

(Storyline from IMDB)